Suzon

Circa 1890 H. 55 cm • L. 41 cm • Pr. 24 cm N° of inventory : 2015 Copyright : musée Camille Claudel, Marco Illuminati

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The Bavardes or the Loveseats

1893-1905 H. 32 cm • L. 34 cm • Pr. 24 cm N° of inventory : 2010.1.17 Copyright : musée Camille Claudel, Marco Illuminati

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Célina

1902 H. 38,5 cm • L. 38,6 cm • Pr. 23 cm Origin : Camille Claudel Nogent-sur-Seine Museum N° of inventory : 1902.270 Copyright : musée Camille Claudel, Marco Illuminati

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Joan of Arc

1895 H. 83,5 cm • L. 70,5 cm • Pr. 33,5 cm Origin : Camille Claudel Nogent-sur-Seine Museum, purchase in 1999 N° of inventory : 1999.2 Copyright : musée Camille Claudel, Marco Illuminati

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Au but

1886 H. 45,8 cm • L. 69 cm • Pr. 35 cm Origin : Camille Claudel Nogent-sur-Seine Museum, Lorem ipsum dolor sit amet, consectetur adipiscing elit. N° of inventory : 1994.2 Copyright : musée Camille Claudel, Marco Illuminati

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Aurora

Circa 1900-1908 H. 32,5 cm • L. 27,2 cm • Pr. 31 cm Origin : Camille Claudel Nogent-sur-Seine Museum, Lorem ipsum dolor sit amet, consectetur adipiscing elit. N° of inventory : 2010.1.13 Copyright : musée Camille Claudel, Marco Illuminati

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Florentine Singer

Circa 1867 H. 88,7 cm • L. 37,5 cm • Pr. 32 cm Origin : Camille Claudel Nogent-sur-Seine Museum N° of inventory : 2001.17 Copyright : musée Camille Claudel, Marco Illuminati

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Camille Claudel's collection

To definitively free herself from comparisons to Rodin, in the 1890s Camille Claudel chose to explore a more intimate, personal avenue of unique, miniature works. Alert, she scrutinized, observed and then staged snapshots of day-to-day life: her “Life Studies” that she described to her brother Paul, at the time stationed in the United States, in late 1893 (Société des Manuscrits des Auteurs Français). She took pleasure in drawing inspiration from the insignificant, which she then transcended, lending the works a certain universality.

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